I’ve been scanning some film from 20+ years ago, images which I never printed or did anything with. I’ve been looking specifically for ones that make good black and white conversions. This picture was taken in color on Agfa Ultra 50, a film that had an unusual contrast and palette which I only shot two or three times. That film was medium format so you’re looking at the uncropped full-frame image. I’m pretty sure I used my Hasselblad 903 SWC for this, a wide view camera that came with a fixed 38mm lens and a detachable viewfinder. There were no electronic parts. You relied on a hand-held meter (or a good guess) to take your picture.
There’s a new feature in Photoshop’s neural filters suite which removes dust commendably. That’s a job that used to take many hours, especially if you intended to make prints from digital film scans. I scanned this one yesterday with my Epson V700, which is still running after twenty years. I did leave the remaining dust visible up there in the sky. Maybe it will give the image some provenance. 😏
We can just call it daytime stardust, like the way you put the field in the foreground.
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That’s a great thought. Daytime comets for the field?
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Love it!
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Appreciate that– thanks!
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Lovely image
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Thank you!
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Wonderful! Incredibly evocative.
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thanks so much Brad!
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It’s a beautiful phot and a great scan, John. You managed to keep detail in the shadows and highlights nicely.
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Thanks Ken, that’s always a goal (especially with scans). When using the scanner app that means making sure I have “elbow room” on that slider (shadows to the left and highlights to the right). I much prefer to deal with that stuff in post-processing, where there’s more opportunity for subtlety.
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I’m using a Epson V850 at the museum and it’s fantastic although I like the older software better than the new version.
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To Epson’s credit, they make machines that last longer than most stuff does these days.
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Do you know where in SD?
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Somewhere in the northwest part of the state, I think. Unfortunately, I didn’t jot down any notes.
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A beautiful picture. It reminds me of Edward Hopper’s paintings of half houses with the railroad tracks.
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Thanks Ed. Those paintings are iconic, And when you look at work by photographers like David Plowden you realize how much influence Hopper’s had outside of painting.
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🩶🏠
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Merci. Thanks Christine
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