Sag Harbor Photography: Wall and Flowers – Shooting with the DMW-GWC1

I’ve been working with my Panasonic wide converter, a recently introduced accessory which is also known as the DMW-GWC1. If you ask me, there are gasoline additives with sexier names–but don’t let that scare you off.

As I noted several posts back, the DMW-GWC1 is screwed onto the front of Panasonic’s popular 14mm Micro 4/3 lens. Once attached, the lens is persuaded to yield a wider field of view (about the same as a 22mm lens on a 35mm camera). If you’re accustomed to using a 28mm, the converter is decidedly more expansive.

The first thing you notice is the increased depth of field, something which opens up many new creative possibilities. This is especially true when used on cameras like the Panasonic G3 with it’s full range of manual controls and live viewfinder. The second thing you notice is that whatever is close to your lens has an appearance of being much further away.

Over the last few days, I’ve been using the converter on subjects that are well below the horizon–a technique which is admittedly counterintuitive. A lens this wide has an enormous appetite for skies, but summer is on the way and  there’ll be plenty of time to go looking for clouds.

The Hydrangeas were discovered while walking up to the coffee shop a few mornings ago in Sag Harbor Village. The image was captured quickly without the need of a tripod.  I was in full shade. Everything’s in focus in the picture because there’s more depth of field than you can shake a stick at. Moments later I was sipping coffee and making sure my lens cap was affixed to my converter. The bulbous glass accepts no filters, so you have to be careful.

The image is essentially a copy of the RAW file with no further color or contrast correction.  To me, that’s a good sign.

As you can see, the converter performs well in low light, yielding images that are both bright and fully accurate in terms of color. I haven’t yet pushed this thing into more challenging light and contrast, but I can tell you that within the gentle gamut of shade, it’s fine.

Nice work, Panasonic.

My other two posts for the DMW-GWC1 may be found here:

For those into the particulars, the image was handheld @ 200 ISO, f9.o @ 1/100. I was using the Panasonic G3.