The camera at this location was one with a sweeping view of the Atlantic, a logical segueway from the photograph in the previous post from Bandon, Oregon. This time I was visiting Shadmoor State Park in Montauk, New York. Again, the weapon of choice – the Hasselblad 903 SWC. By way of comparison, the Montauk photo was made on positive film (or transparency), and the picture from the West Coast was a negative. Same camera, different coast and different film.
If you are still intrigued by putting a roll of film in your camera, the two pictures provide a good opportunity to study the differences between negatives and transparencies. Whereas the Bandon picture has a decidedly warmer pallet, the Montauk scene is one of cool tones and snappier contrast. The smoothness of the Bandon picture is answered by Montauk’s abundant detail. Two different looks – both of which can translate agreeably into digital files (assuming you still have the patience for scanning). To some of us, there is nothing like the delicious clumpy grain of silver halide.
In the decade that’s passed since I took this picture, the 99 acres of Shadmoor have been declared a State Park and its cliffs have become dangerously eroded. These days a fence keeps visitors away from the edge in an effort to protect the habitat and prevent injuries. The park is unique for many reasons, not the least of which are its wetlands, its thick stands of Shadbush, and the historic bunkers that have been fronting the Atlantic Ocean since WW II.
To see other photographs taken with the Hasselblad 903 SWC click on this link: